Editorial

AN INTRODUCTION TO BLUE ROSE CODE : PORTRAIT OF A CRAFTSMAN

"It is a real cliché to talk about honesty, but if anyone had any ideas that they'd be able to hide their true selves from the camera, well that was out the window after two hours." Ross Wilson, Blue Rose Code.

Aubin & Wills is proud to sponsor Blue Rose Code in their year ahead - for information on future shows, screenings and exclusive downloads, visit aubinandwills.com/bluerosecode.

 

Few musicians would set themselves the daunting task of recording a whole album in four days, let alone with a dedicated film crew there to capture every moment of the process. But alternative folk outfit Blue Rose Code (aka Ross Wilson) isn't afraid of a challenge. From the frustrated to the elated to the sublime, the reality of recording his forthcoming album has been laid bare in a series of documentary films and music videos set to accompany its release. "Our intention was to make a documentary of the recording process," explains Ross' manager and creative director Julie Seal, "but it developed into something a lot more intimate and beautiful, in essence an illustration of craftsmanship."

 

Inspired by traditional folk music and his 'Unholy Trinity'; Tom Waits, Van Morrison and John Martyn, Edinburgh-born Ross is master of both soulful expression and intricate skill. Everyone is in perfect rapture with Blue Rose Code, including the film's creative director Lucas Levitan, "when you truly believe in the music and the people, it makes the goal far clearer, we knew we had to live up to the beauty of what Ross was creating." To achieve this they poured in everything they had, including a mouthwatering arsenal of vintage cameras; from 16mm to Super 8. The idyllic backdrop of rural Somerset (complete with bleating lambs and 17th  century coach house) ensured that the inspiration just kept coming, "it was an all-encompassing situation, we were immersed in the music and the surroundings" continues Lucas, "and seeing everything unfold against a ticking clock has made both the music and the film very raw and alive."  

 

Image by Caco Vaccaro.